Final Entry – A Meringue Autopsy from an Alien Writer, and Appendices

With the performance a recent memory, I feel like it’s right that I reflect critically on the experience I’ve had as part of the writing of the show.

Up until now, I’ve had a pretty solidified idea of how traditional theatrical roles work. Playwrights write, directors direct and actors do what they’re told to and do their best not to get under anyone’s feet. Or maybe that’s just me. In any case, Changing Faces… was a very unusual show and thus warranted a very unusual approach to breaking the show in its early stages.

I would compare it most closely to the way that television is produced, especially on American networks: you have a showrunner, who determines the tone, style and overall direction of the show, then a room full of writers who work on the individual episodes from a treatment or show bible; drafts may be a group effort or the work of a sole contributor, but the showrunner will often have the responsibility of script editing or tweaking certain scenes or dialogue.

For my own part, whilst I took the role of writer, researcher and ultimately performer for at least two of the scenes I worked on, the principal scene I had the most input on was the scene I’ve referred to as “The Assassination Exhibition”. Inspired by the style of J.G. Ballard’s The Atrocity Exhibition – which focuses on a man recreating his own mental breakdown through a series of experimental pieces of performance art, seeded with blasphemous imagery of JFK, Marilyn Monroe, auto-crash victims and Ronald Reagan – I visualized the narrator, who I called the Assassination Enthusiast, as a lone figure who is morbidly obsessed with assassinations in a way that is a by-product of the information age.

This scene was originally intended to segue into the Columbine scene, although in the finished piece the order was reversed; however, the juxtaposition of the two is noteworthy. The protagonists of the Columbine sequence, portraying Eric Harris and Dylan Klebold, are similarly disconnected and dehumanized figures, but unlike them the Enthusiast is an abstract concept rather than a fictionalized representation of a real-world individual. One of the difficulties in making the scene work was making the Enthusiast not simply namedrop or spout statistics at the audience, but give the impression of an obsessive fan whose choice and intensity of devotion borders on fetishism, who sees himself as, in R. Lee Ermey’s words, “a minister of death praying for war”. In a line that got cut, he refers to a quote by Hassan I-Sabbah, the founder of the historical League of Assassins: “Nothing is true, everything is permitted.” I still see these elements as significant to the character: the root word of “fan” is fanatic, after all.

This is where Orson Welles’ “cuckoo clock” speech in The Third Man came in.

Welles made the addition because he felt that Harry Lime, up until this point, had been a character known mostly by his reputation and that the scene required a moment that encapsulated his world-view; he felt that Lime needed to be a character that had depths beyond merely being a thug. All the best anti-heroes – Travis Bickle, Alex DeLarge, Patrick Bateman – have been sociopaths and unreliable narrators, but they have also had a certain amount of intelligence and charisma. There is something seductive about the villain in all cultures that makes us both despise and root for them.

In the short film Five Minutes Mr Welles, Vincent D’onofrio reimagines the moments leading up to this moment in cinema; in addition to directing and co-writing, D’onofrio reprises his role of Welles from Tim Burton’s Ed Wood, which also features an apocryphal meeting between Edward D. Wood Jr. (Johnny Depp), arguably the worst director in Hollywood history at that time, and his idol Welles, the man who directed Citizen Kane at the age of 26.

D’onofrio’s Welles describes Lime as an “evil pope”, not an atheist but someone antithetical to everything that the protagonist holds sacred, someone who acknowledges the evil that he is doing, and yet still does not care. That disconnect was what I needed – the Enthusiast is not a robot or subject to uncontrollable urges; he genuinely believes that his role in life, or at least the one he aspires to, is that of the bringer of death. His final line, as well as being a mangling of a William Burroughs quote – “when you cut into the present, the future leaks out” – which I managed to drill into the group, reflects his belief that the assassin has an integral part to play in creating history: “When you fire burning hot metal into the present, the future splinters into fragments.”

The overall process of writing for the show, as well as performing roles in it, has been a lot more improvisational than I originally thought it would be. Because many of the scenes and characters I wrote or worked on – the Assassin, Winston Churchill, the opening Moon landing sequence – are based more around conventional monologues than typical multimedia works, I found that getting the right balance of dialogue, action and visual dynamic took a lot of getting used to. If I had to summarise my methodology and goals for the piece as a whole, my best analogy would be the following quote from the film Performance:-

“The only performance that makes it, that makes it all the way, is the one that achieves madness.”

Whether or not we achieved madness, I sincerely believe our work reflects the quixotic nature of reality and the media, a glimpse behind the curtain into the realms of what could have been.

Appendices

Due to the sheer volume of material that I produced for this blog but have had to trim, I’ve compiled significant posts deleted for length on my Tumblr.

1. http://raggedyadams.tumblr.com/post/119694999916/burroughs-variation-1-on-futurism
2. http://raggedyadams.tumblr.com/post/119695883896/burroughs-variations-a-cut-up-cacophany-of
3. http://raggedyadams.tumblr.com/post/119694788686/jg-ballards-the-assassination-of-john-fitzgerald
4. http://raggedyadams.tumblr.com/post/119693797876/american-gods-belief-source
5. http://raggedyadams.tumblr.com/post/119693676026/notes-on-a-conspiracy-unused-scene-draft
6. http://raggedyadams.tumblr.com/post/119693574736/cutting-into-the-present-rough-unused-scene
7. http://raggedyadams.tumblr.com/post/119693036286/adams-dream

Works cited

– Alamut (Bartol novel) – Wikipedia, the free encyclopedia. 2015. Alamut (Bartol novel) – Wikipedia, the free encyclopedia. [ONLINE] Available at: https://en.wikipedia.org/wiki/Alamut_(Bartol_novel)#Cultural_impact. [Accessed 25 May 2015].
– Ballard, J.G. (2002) The Atrocity Exhibition (Flamingo Modern Classics). Annotated Edition Edition. Flamingo.
– Cut-Ups William S. Burroughs – YouTube. 2015. Cut-Ups William S. Burroughs – YouTube. [ONLINE] Available at: https://www.youtube.com/watch?v=Rc2yU7OUMcI. [Accessed 25 May 2015].
– Ed Wood Jr Meets Orson Welles – YouTube. 2015. Ed Wood Jr Meets Orson Welles – YouTube. [ONLINE] Available at: https://www.youtube.com/watch?v=_H9A9zTorrw. [Accessed 25 May 2015].
– Five Minutes Mr. Welles – Vincent D’Onofrio – YouTube. 2015. Five Minutes Mr. Welles – Vincent D’Onofrio – YouTube. [ONLINE] Available at: https://www.youtube.com/watch?v=s-4PPr3r_r0. [Accessed 25 May 2015].
– full metal jacket intro monologue – YouTube. 2015. full metal jacket intro monologue – YouTube. [ONLINE] Available at: https://www.youtube.com/watch?v=71Lft6EQh-Y. [Accessed 25 May 2015].
– Performance (1970) – Quotes – TCM.com. 2015. Performance (1970) – Quotes – TCM.com. [ONLINE] Available at: http://www.tcm.com/tcmdb/title/86516/Performance/quotes.html. [Accessed 25 May 2015].

My Final Blog Submission

Jake Allsop

 

First Come, First Film

 

My first week as a student of Multimedia Performance has passed and in all honesty, it was a lot more accessible then I had anticipated. The concept of this type of performance, wherein alternative styles and methods are utilized (e.g. Site Specific Performance) can be difficult for me to grasp, let alone thrive at. However as I possess a background in camera and media work, the use of cameras during the first seminar allowed me to engage with the work in a way that I was hoping for. By experimenting with cameras, different lighting and projection not only allowed me to play to one of my strengths, but also gave me the opportunity to build on my knowledge and aim it in new and creative ways.

 

2015-01-27 11.52.14 2015-01-27 11.51.52 WP_20150127_11_25_02_Pro2015-01-27 11.31.52 2015-01-27 11.24.58 2015-01-27 11.24.39

 

Even during the second seminar, which involved discussing three readings on Multimedia (that, in all honesty, I did find quite taxing and without a great deal of reward since there wasn’t a lot of information that I sound to be particularly insightful or useful) went very smoothly with the discussion of Multimedial terms and their definitions, such as Transmediality (one medium, a book, being transferred to another medium, film) Multimediality (multiple medium being viewed or heard without relying on each other) and Intermediality (two mediums that are dependent on each other). With a positive first glimpse into Multimedia Performance I look forward to what comes next in this module.

 

Shots from our chosen scene

 

In preparation of Tuesday’s task of recreating a movie scene, I compiled a Guardians of the Galaxy scene shots list of shots for my groups chosen scene from Guardians of the Galaxy.

 

A New Horizon

 

As our group originally had an idea to create a piece centered on dark thoughts that human beings participated in, we now focus on the dark thought of one person in particular: George Orwell. Orwell’s magnum opus “1984” came when he had a terrible vision of world without free speech, without will and constant surveillance and control gripped our world. With this in mind, our group will create a piece that depicts a dystopian future resembling Orwell’s influential book.

On this topic, our Director presented us with tasks that stem from a totalitarian world. The first was to have an everyday activity caught on camera as every aspect of the World would be under heavy video surveillance. I decided to have someone film me as I was sleeping as I saw the sheer uncomfortable level of privacy invasion as the Government could spy on you even as you sleep, reminding you that the Government can perceive you as a potential threat to their  regime.

The second task was to scribe 5 rules that the Government could enforce in this dystopian world. I looked back on other examples of a world under complete subjugation such as V for Vendetta to the Justice Lords arc from the Justice League animated series. I took these fictional worlds under advisement as I decided on rules that are extreme in this modern world but not too out far from the realm of possibility.

The final task was to choose a script written by Richard Foreman who specializes in Ontological-Hysteric Theatre, While his script were rather outlandish I decided on the piece “Suppose” as I was intrigued by the real world propositions Foreman posed in a potential world environment.

Moving forward I’m certain with tasks such as these we will continue to push the envelope of what our dystopian piece can achieve.

Five Rules for the New World

ADD VID AND AUDIO

 

Let’s Challenge History

 

Changes

 

Another recent change in our Multimedia performance piece has led us away from our initial ideas of dark thoughts and a dystopian future to a piece that includes exploring key moments in human history. While we had certainly made great headway with these ideas that challenged society in a modern and futuristic context, and even though some of our group members may be frustrated that their work on these ideas may no longer be used, a piece that acknowledges where we come from and the events that shape where we are now is just as important as discussing our present and our future.

 

In our most recent meeting we made a list of important moments that we felt we could explore with technology on stage and make an intriguing multimedia performance. In pairs, we thought up historical events and my partner and I thought of the Moon Landing and what impact social media would have had if the internet was around for these moments.

http://www.cracked.com/photoplasty_330_15-important-moments-in-history-if-social-media-was-around/

 

In the end the social media angle was abandoned due to the notion of it being a weak focus point, despite my personal feeling that it was an interesting concept that might have led to creative input from other group members.

 

Within the finalized list there were events such as 9/11, the Moon Landing and the JFK assassination, and from the list we were given the choice of which examples to explore and think of ways we could bring those examples to the stage in an exciting and engaging way. I wanted to work on the Moon Landing as me and my partner found it interesting and so I was assigned to research the facts surrounding the Moon Landing while my partner looked into the conspiracy theories surrounding the event. However there was another example on the list that piqued my interest; that of the Jonestown Massacre and consequently the Westboro Baptist Church. This stirred something in me and I thought of a filmmaker that I deeply admire, Kevin Smith, and a movie that he made called Red State that was directly inspired by the actions of the Westboro Baptist Church. Because of this, I wanted to explore what effect these events have on society and how they have shaped who we are today.

 

Hate and Prejudice

 

The Westboro Baptist Church, organised by the Phelps family, are an extreme anti-homosexual hate group that carry out protests against the gay community, going so far as to protest gay weddings and even funerals for gay people.

http://www.ranker.com/list/7-craziest-westboro-baptist-church-protests-ever/melody-yan

 

As Kevin Smith noted in his Q&A “Kevin Smith: Burn In Hell” he wanted to make a movie about how far this group could go in their tirade against homosexuals by eventually supplying the dead bodies that they protest at funerals. This infuriated the Phelps family and so they began to protest the movie, labelling Smith as a “Fag Enabler.” To combat this, Smith took note from a cosplayer at a comic convention that the Church was protesting. As one of the members of the Westboro Baptist Church held up a sign that read “God Hates Fags” a man dressed as the robot Bender from “Futurama” held up a sign that read “Down with Humans”, so following on from this idea of fighting ridiculousness with ridiculousness Smith and his friends made their own picket signs to retaliate in a humorous way such as “God Hates Homework” and “Dick Tastes Yummy”. I think it would be entertaining to fill the stage with signs that support the Westboro Baptist Church’s views and hilarious signs like Smiths that show how people can abuse their right to free speech in an attempt to inflict pain and misery upon others, and how other people can use good natured humour and light heartedness to combat these types of actions. From a technical standpoint we can use live cameras on these signs to better show the audiences what is being presented on stage, while from a pre-recorded standpoint we could play clips from interviews with the Phelps’s demonstrating their views as well as the opinions of people who disagree with the Phelps’s viewpoints.

 

Cult of Violence

 

Leading on from this is an even that took place on November 18th 1978, known as the Jonestown Massacre. In 1956, Jim Jones founded the People Temple in Indianapolis. The Temple was a racial integrated church, focusing on [people in need. In 1966, they moved to Redwood Valley, California. Jones’s vision was a communist community. In 1977, Jones established Jonestown agricultural settlement with approximately 50 inhabitants, but not Jones. An expose article which Jones heard word that it was to be published, which unsettled him because it contained interviews form ex members of the Church. The night before publication, Jones and several hundred followers flew to Guyana and into the Jonestown compound.

 

1100 men, women and children were Jonestown inhabitants. Jones implemented strict regulations regarding isolation and contact with non-members of the People’s Temple. Jonestown was meant to be a Utopia, but it had armed guards, not enough cabins, bunk beds and overcrowding and each cabin was segregated by gender so families were split apart. And due to overcrowding, heat and humidity grew to sick members. Jones had forced labour, 11 hours a day and the inhabitants were never allowed to leave. On top of this, Jones had constant speeches on loud speakers even at night.

 

Congressmen Leo Ryan, his advisor, an NBC film crew and concerned relatives investigated Jonestown on November 17th 1978. All was fine till the evening when a note was secretly passed to a member of the NBC film crew that stated a list of names of people wanting to leave the compound, making apparent that people were being held against their will. On November 18th 1978, the Congressmen took 15 members to an airstrip along with the people that came with him, but the Congressmen stayed and waited for other people who wanted to leave. He was attacked and had his throat almost slit by members of the church so he quickly left. The truck containing the Congressman and the others arrived at the airstrip safely but the planes weren’t ready. Then a tractor and a trailer of Church members pulled up and opened fire on the group. 5 died including the Congressman and the cameraman, others were severely wounded. At the same time in Jonestown, Jones made a speech despite being panicked and agitated. He talked about the attack on the group, resulting in the town not being safe anymore;

“When they start parachuting out of the air, they’ll shoot some of our innocent babies.” Jim Jones

“Revolutionary act” (Jim Jones) of suicide

“If these people land out here, they’ll torture some of our children here. They’ll torture our people, they’ll torture our seniors. We cannot have this.” Jim Jones

https://www.youtube.com/watch?v=jpWr45bKWpE

 

Jones told his followers to drink Grape flavoured Flavour-Aid, which was in fact a concoction of cyanide and valium. With no choice, babies and children went first. Mothers and nurses used syringes to pour the juice into their mouths. Then the Mothers, the other members drank the poison. Most were already dead when others were in line to drink the juice. Some did as bayed in the name of “the Father” Jim Jones. If anyone refused they were forced to drink, injected, shot or strangled to death. It took them 5 minutes to die. 912 people died from drinking the poison, 276 of whom were children. Plus the 5 from the airstrip, the last was Jones himself, who died from a single shot to the head. It is unknown whether it was self inflicted. 918 was the total death count.

http://history1900s.about.com/od/1970s/p/jonestown.htm

 

A way that a piece can be made from this moment is we as a group can re-enact the events that lead to the mass suicide, using 3 visual perspectives. One is the audience viewing the stage; the 2 others would be screens. A live camera feed would be used to simulate the NBC camera viewpoint. The other would be pre-recorded footage from the actual event, with quotes from Jim Jones and news coverage.

 

Moonwalking

 

The other important moment from history that interested me was, of course, the 1969 Moon Landing. This was a milestone in the history of human space travel, particularly for America, as they landed on the moon before Russia, thus winning the alleged “Space Race” against the Soviet Union during the Cold War. Since I was tasked with listing the facts of the event as opposed to the conspiracy theories that attempt to disprove it, these are the points that I felt were the most vital:

 

  1. The shuttle that took the astronauts to the moon was the “Saturn V” and was the tallest and heaviest ever built.

 

  1. Neil Armstrong’s “That’s one small step for man, one giant leap for mankind” quote was actually spoken incorrectly, he was actually meant to say; “That’s one small step for a man, one giant leap for mankind”.

 

  1. Buzz Aldrin is a strict Presbyterian Christian so he took a mini communion kit without NASA knowing meaning the first drink the astronauts had was wine.

 

  1. Collins was the module pilot so he had to stay in the orbiting Columbia craft while Aldrin and Armstrong took the lunar module to the moon’s surface.

 

  1. According to Aldrin and Armstrong, when they removed their spacesuits they could smell and taste the moon dust from their clothing. They described it as ‘spent gunpowder’ and ‘wet ashes’.

 

  1. The moon landing had an estimated 600 million television viewers.

 

  1. NASA had to hold a council discuss the political implications of putting the American flag on the moon, considering nobody actually owns the Moon. In the end they did, perhaps as a signal of power to the Soviet Union, the biggest rivals to the Americans in the space race.

 

  1. In the case of the programme’s failure and the 3 astronauts lives’ lost, President Nixon had a speech prepared called “In Event of Disaster” which began: “fate has ordained that the men who went to the moon to explore in peace will stay to rest in peace”.

 

I obtained these facts from this link, that contains further information on these points as well as others on the moon landing; http://www.news.com.au/technology/science/facts-you-should-know-about-the-apollo-11-moon-landing/story-fnjwlcze-1226995022345

 

There are many sound and video extracts that would be useful for a performance piece showcasing the Moon Landing, such as Neil Armstrong’s famous words, TV news report footage and footage of the Astronauts on the moon. While this can be shown as pre-recorded footage on screens, live bodies could be demonstrating the difficulties behind the scenes of the mission, through dance or actions without words. We could also do a live split screen, where on one side it is as though the mission actually took place on the moon, whereas on the other side it is set up like a film set, encouraging the idea that the event was indeed staged. These can all be utilised to express the importance of this event in history.

Final Performance

The final performance that took place on 12th May exceeded expectations in a performance context, whereas the technical side of things was also utilised proficiently. In the rehearsals leading up to the show day we perhaps did not have as much access to the technical equipment that was necessary to feel totally comfortable with their presence in the performance, but fortunately our tech team were able to overcome this disadvantage. As a group I think we could have worked on our scene transition as I felt they were the weakest elements of the piece. We were instructed by our Tutor and Directors to move slowly when sorting and moving props, which audience members found alienating as it reduced the momentum of the show. This odd decision did not pay off in my opinion and we should have been more efficient in our transitions as opposed to introducing a method that didn’t need to be introduced.

As I was largely focused on my own performance in the piece I will mostly be discussing the moments that I was present. My most prominent role was President Richard Nixon, which I began the show playing and continued as in the next scene. I had received contrasting notes from my directors and my Tutor, where my directors told me to perform my speeches in a verbatim style and my Tutor conversely informed me that my verbatim style sounded more like I was imitating a Vicar and to channel President Nixon. As a performer, I felt like I couldn’t win.

 

Debate

On the day of the performance I researched Nixon by finding any videos I could find on the man’s speeches and debates, so I could build on my knowledge of Nixon’s characteristics. Our group has defined parameters so as to create a more cohesive performance, where we all agreed not to do impressions of the famous people we were portraying so as not to appear comedic or over the top cheesy. And while I attempted to personify this ideology, I couldn’t do so without compromising my performance.

 

IMG_5478 IMG_5475 IMG_5474 IMG_5480

 

The scene I personally feel was the strongest of those that i was in (and certainly one of the whole piece in terms of emotional weight) was the scene that depicted Nixon and his wife Pat before he resigned from office. The inspiration for this scene came from our piece’s mission to observe moments from history that aren’t looked upon as much as the moments that came after them. I found a TV film called Nixon: The Final Days that contained a scene just before Nixon resigned. He was reminiscing about how he had never quit before in his life and listing his accolades before doing what he felt he had to do.

https://www.youtube.com/watch?v=JkChfgx51GY

Following my suggestion, Nixon’s emotional monologue was integrated into the Watergate scene after the Directors saw the weight that it carried. The use of microphones in the scene was my favourite technical inclusion, as it allowed my fellow actors and I to forgo the over the top, voice projecting style of stage acting and let us rely on a more naturalistic style of acting. I have since been informed that audience members welcomed the real world feel of the scene. This sense of the real world carried over into the scene depicting the Wright Brothers with early drafts of their aircraft, the event that lead to the Columbine Shootings in Colorado, the Queen voicing her worries before her coronation and the final scene that revealed the entire performance was a Newsroom reporting on these previously unknown historical moments.

“Changing Faces” was about using modern technology to show the moments that influence events that have transcended time. But the use of technology in the media does not necessarily equate to the truth and it’s up to the audience to decide what we have presented is false, true or a combination of both. The use of technology and the way of performing together produced a performance that reflected our ideas in an accessible and thought provoking way. The audience responded well to the piece and acknowledged the difficult subject matter that we tackled. The elements I feel we as a group could have worked on is the amount of time we could have used working with the equipment and more clear talks with our Tutor in regards to telling the Directors what was best instead of correcting the piece so close to the performance date. But despite these pitfalls, I feel we as a group more then met up to the challenge of creating an effective and intellectual multimedia piece.

Final Performance

Jake Allsop

 

 

Final Performance

The final performance that took place on 12th May exceeded expectations in a performance context, whereas the technical side of things was also utilised proficiently. In the rehearsals leading up to the show day we perhaps did not have as much access to the technical equipment that was necessary to feel totally comfortable with their presence in the performance, but fortunately our tech team were able to overcome this disadvantage. As a group I think we could have worked on our scene transition as I felt they were the weakest elements of the piece. We were instructed by our Tutor and Directors to move slowly when sorting and moving props, which audience members found alienating as it reduced the momentum of the show. This odd decision did not pay off in my opinion and we should have been more efficient in our transitions as opposed to introducing a method that didn’t need to be introduced.

As I was largely focused on my own performance in the piece I will mostly be discussing the moments that I was present. My most prominent role was President Richard Nixon, which I began the show playing and continued as in the next scene. I had received contrasting notes from my directors and my Tutor, where my directors told me to perform my speeches in a verbatim style and my Tutor conversely informed me that my verbatim style sounded more like I was imitating a Vicar and to channel President Nixon. As a performer, I felt like I couldn’t win.

 

 

Debate

 

On the day of the performance I researched Nixon by finding any videos I could find on the man’s speeches and debates, so I could build on my knowledge of Nixon’s characteristics. Our group has defined parameters so as to create a more cohesive performance, where we all agreed not to do impressions of the famous people we were portraying so as not to appear comedic or over the top cheesy. And while I attempted to personify this ideology, I couldn’t do so without compromising my performance.

 

 

 

IMG_5474 IMG_5475 IMG_5478 IMG_5480

The scene I personally feel was the strongest of those that i was in (and certainly one of the whole piece in terms of emotional weight) was the scene that depicted Nixon and his wife Pat before he resigned from office. The inspiration for this scene came from our piece’s mission to observe moments from history that aren’t looked upon as much as the moments that came after them. I found a TV film called Nixon: The Final Days that contained a scene just before Nixon resigned. He was reminiscing about how he had never quit before in his life and listing his accolades before doing what he felt he had to do.

https://www.youtube.com/watch?v=JkChfgx51GY

Following my suggestion, Nixon’s emotional monologue was integrated into the Watergate scene after the Directors saw the weight that it carried. The use of microphones in the scene was my favourite technical inclusion, as it allowed my fellow actors and I to forgo the over the top, voice projecting style of stage acting and let us rely on a more naturalistic style of acting. I have since been informed that audience members welcomed the real world feel of the scene. This sense of the real world carried over into the scene depicting the Wright Brothers with early drafts of their aircraft, the event that lead to the Columbine Shootings in Colorado, the Queen voicing her worries before her coronation and the final scene that revealed the entire performance was a Newsroom reporting on these previously unknown historical moments.

“Changing Faces” was about using modern technology to show the moments that influence events that have transcended time. But the use of technology in the media does not necessarily equate to the truth and it’s up to the audience to decide what we have presented is false, true or a combination of both. The use of technology and the way of performing together produced a performance that reflected our ideas in an accessible and thought provoking way. The audience responded well to the piece and acknowledged the difficult subject matter that we tackled. The elements I feel we as a group could have worked on is the amount of time we could have used working with the equipment and more clear talks with our Tutor in regards to telling the Directors what was best instead of correcting the piece so close to the performance date. But despite these pitfalls, I feel we as a group more then met up to the challenge of creating an effective and intellectual multimedia piece.

The Mediated Past

Working from the idea of a dystopian society, it becomes interesting to examine the ramifications surrounding the media. Looking at examples such as North Korea, or even Nazi Germany, it is possible to rewrite the past by manipulating the present. For example, Hitler managed to spin Germany’s failures in WWI by using the Jews as a scapegoat. Developing this idea, exploring the relationship between manipulating media and the truth can cause questions to be raised about the authenticity of past mediated events. There are several conspiracy theories suggesting the fabrication of the moon landing, JFK’s assassination and many more events in history. What if those theories are true? The piece should examine this, perhaps exposing the staged nature of historical events. Looking at performances such as Virtuoso (working title), who expose the façade that is theatre by rejecting realism, and leaving the technical workings of their performance exposed (cameras, wires, markings on the floor etc) , it was established that adopting a Grotowski style attitude toward representations of realism would encourage the audience to question the dependability of the mediated news they consume each day.
Virtuoso (working title) also revealed the manipulation of every day on screen imagery by creating images that appeared real on the televisions but the live bodies in the space created a surreal tableau for the audience to witness. This could be utilised within our piece by recreating scenes from history, or manipulating bodies in the space to recreate historical events, just with different outcomes, or by completely fabricating the event. For example the moon landing again, if it were to be recreated in front of the audience, on the tvs, but the live space remained a television set, with lives bodies placed at different angels to create on screen perspective. Again this would hopefully encourage the audience to question the authenticity of the media.

Trails and techniques

In the past week or so, we have to of hit our stride with (again) another new idea. This time we have scenes and firmer grip on things so it’s going well.
With new ideas comes new scenes and with new scenes comes duffrent ideas for techniques. As I’ve just finished the essay in the past week or so my mind jumps right to how we interacted with our mediatized elements of the peice.
In our Hitler scene. We are presenting the lighter and prehaps more realistic/human side of him. So we are performing a lip dub of his home videos that can be found online. I find this particularly Intresting because the usual image of hitler is one of a angry dictator screaming at a podium. We are showing a diffrent mediatized form of Hitler, moving past the propaganda and into his real world. What is espacially diffrent from the archived footage to the home movies is the way he interactes with people (espacially his wife- who was barely seen with him otherwise). It bring hitler into the modern day and into the age where with YouTube self captured videos are ubiquitous.
The realistic and casual speech of the lip dub also help aid in this YouTube esque take on Hitler.
Another scene and technique we are including is the columbine shooting. One aspect of this scene will involve fixing a GoPro (small camera) to the barrel of a discharged, and completely innofective gun. We are going to point this to the audience, showing their reaction on a screen. The technical thinking behind this is to, 1: show a diffrent angle we all come to expect of this type. making it feel personal for the audience
2: represent the real life boys obsession of self image
3: represent the behind the scenes of history theme were using.
As well as this, with the ‘gun cam’ we are going to run off stage and into the library where we will perform a staged shooting. What the audience will see is a traveling video taking us off stage to another place. we use the technology to experiment what space can be implemented live, on stage. On stage we will just show the video and nothing else. This will draw more attention to the video.